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The World as a Creation of
The contemporary globalisations world is supposed to be moving, evoluating, metamorphosing more than at any previous historical period. But its accelerated mutations are not the simple consequence of technological, economical, informational globalisation. They are above all thoughts, dreamed, represented, then carried by philosophy, litterature, arts, sciences. The world is not only "in mutation" : it is also and foremost "in creations", in every dimension of this concept of creations. This item is aimed at revealing this permanent work of (re)creation, which is one of the most positive aspect of "globalisation".
Author  Title    Languages Date REF
Reyes Mate  iconeEn qué estábamos pensandoAnalysis
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29.03.20   41928 
Timothy Caulfield / The Conversation  iconeMixing science and art to make the truth more interesting than liesNon-press
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02.08.18   41877 
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30.07.18   41859 
Martin Godon / The Conversation  iconeLe trafic d’antiquités : un marché vieux comme le mondeNon-press
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23.07.18   41889 
Observatoire Européen du Plurilinguisme (OEP)  iconeEnseignement des langues vivantes : l’Europe défigurée !Documents
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15.07.18   41825 
Byung-Chul Han / Open Democracy  iconeWho is a refugee?
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10.07.18   41789 
Tony Robinson / Pressenza  iconeCan we please have a conversation about what it means to be human?In the Press
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08.07.18   41841 
RFI - Radio France Internationale  icone«Al Musiqa», l'épopée des musiques arabesIn the Press
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28.05.18   41625 
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24.05.18   41659 
France Culture  iconeQuand la politique pousse la chansonnetteNon-press
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12.05.18   41572 
The Guardian  iconeThousand years of Tibetan masterpieces revealed for first timeIn the Press
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06.05.18   41560 
The New York Times  iconeWhat the Mona Lisa tells us about art in the Instagram eraIn the Press
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27.04.18   41549 
The Guardian  iconeFrom street kid to Pulitzer: why Kendrick Lamar deserves the prizeIn the Press
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22.04.18   41515 
RFI - Radio France Internationale  iconeDaniel Maximin rend hommage à Aimé Césaire, mort il y a 10 ansIn the Press
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17.04.18   41529 
Le Figaro  iconeÀ l'Atelier des Lumières, la peinture de Klimt prend vie en numériqueIn the Press
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13.04.18   41538 
Qantara  iconeNon-fiction: Dunya Mikhailʹs "The Beekeeper"
Rescuing the stolen womenIn the Press
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13.04.18   41482 
Mireille Delmas-Marty / Courrier de l'UNESCO  iconeCreolizing the idea of humanityNon-press
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01.04.18   41827 
Open Democracy  iconeAn atlas of real utopias?Non-press
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21.03.18   41617 
Josh Jones / Open Culture  iconeNoam Chomsky explains what’s wrong with postmodern philosophy & French intellectuals, and how they end up supporting oppressive power structuresNon-press
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13.02.18   41571 
Fernanda Canofre / Globalvoices  iconeAfter 121 years, the first Indigenous singer performs at Brazil’s Teatro AmazonasDocuments
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26.10.17   41373 
Filip Stojanovski / GlobalVoices  iconeA Macedonian Comic Strip Encourages Women to Pursue Computer Programming CareersDocuments
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23.10.17   41372 
C.J. Polychroniou, Noam Chomsky, Ha-Joon Chan / Truthout  iconeMyths of Globalization:
Noam Chomsky and Ha-Joon Chang in Conversation
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22.06.17   41299 
Gwenaelle Lefeuvre / Globalvoices  iconeA Storytelling Initiative Aims to Preserve Urban Linguistic DiversityDocuments
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18.06.17   41298 
Andrew Sheng / Project Syndicate  iconeThe Global Age of ComplexityIn the Press
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12.06.17   41273 
Boaventura de Sousa Santos / Other News  iconeTowards a sociology of absencesAnalysis
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06.06.17   41258 
Cyrille Bret / Diploweb  iconeGéopolitique de l’Eurovision :
un miroir déformant de l’identité européenneAnalysis
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23.05.17   41232 
France Culture  iconeLa renaissance des musées au service de leurs visiteursDocuments
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19.05.17   41217 
Boaventura de Sousa Santos / Other News  iconeHorizons neededAnalysis
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10.05.17   41197 
Xavier de La Porte / France Culture  iconeQuand nous parlons avec des photos, plus que des motsDocuments
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09.05.17   41180 
François Polet / CETRI  iconeConvergences des luttes dans la mondialisationAnalysis
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27.04.17   41133 
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En qué estábamos pensando

Author : Reyes Mate
Las pestes y las guerras nos pillan siempre de improviso. ¿Cómo vamos a considerar reales esas plagas que borran el futuro, nos encierran y obligan a hablar a solas?”. Esto dice uno de los personajes de ‘La Peste’, la novela de 1946 que encumbró a Camus y le llevó al Premio Nobel de literatura.
Pandemia o peste, eso nunca está en la agenda de los políticos que trabajan siempre con lo previsible. Pero se cuelan en la vida real y nos desorientan hasta el punto de que, para recuperar el norte, hay que recurrir a los ...

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